Forgoing any blinged-out tropes, the former Wu-Tang member put a doctored version of his welfare ID card on the front cover of his solo debut, as both a reminder of where he came from and to destigmatize being on public assistance. Whenever hip-hop started to take itself too seriously, ODB was there to disrupt, agitate, and give the middle finger to convention. Listen here: 97: OlвЂ™ Dirty Bastard: Return to the 36 Chambers: The Dirty Version (design by Alli Truch, photo by Danny Clinch) Put the notorious bathroom cover together with the engraved invitation on the US replacement, and youвЂ™ve got the yin and the yang of The Rolling Stones at the time. Listen here: 98: The Rolling Stones: Beggars Banquet (design by Barry Feinstein)Д«eggars Banquet is a rare case where an albumвЂ™s two famous covers really complement each other. The red velvet cover, with gold embossed lettering, served notice that Odessa was going to be unique and beautiful, which it was. If The Beatles could do a double вЂњ White Album,вЂќ the Bee Gees could do a fuzzy red one. On their 1969 debut, the cavorting characters were there to remind you how much fun rockвЂ™nвЂ™roll was supposed to be. In September 2021, The Vaccines announced a UK tour for April 2022.Bandleader Cyril JordanвЂ™s terrific comic art has turned up on numerous The FlaminвЂ™ Groovies covers and posters over the decades. Now a quintet, The Vaccines returned in 2021 with Back In Love City, which melted together shimmying disco and country rock in an unexpectedly potent neon-coloured cocktail. The Guardian had been somewhat sniffy about their first two albums but raved about English Graffiti and its 2018 follow-up Combat Sports, which also marked the debut of new keyboardist Timothy Lanham.ДЄnother line-up change followed, with Pete Robertson leaving and Yoann Intonti joining. The band followed this muse all the way to their Dave Friedmann-produced third album English Graffiti, which ran the gamut from nitro-fuelled Beach Boys takes likes Radio Bikini to the stomping synth glam of Dream Lover.Д«y now, The Vaccines had shed any illusion of wanting to be the next Libertines and were instead gradually winning over doubters. The Vaccines shifted tack with their follow-up, recording with much-vaunted producer Ethan Johns ( Counting Crows, Jayhawks, Tom Jones) and displaying a sound that leaned away from the swaggering rock du jour and instead embraced вЂ™60s pop and electrified Dylanisms. A swirling tempest of hype surrounded their debut album What Did You Expect From The Vaccines?, leading to something of a backlash from indie purists. Signed to Columbia after just a few gigs, their debut single Post Break-Up Sex arrived in early 2011 and drew comparisons to The Strokes, The Libertines, Arctic Monkeys and The Jesus & Mary Chain. The band formed as a quartet in London in 2009, made up of Justin Young (vocals, guitar), Freddie Cowan (guitar), ГЃrni ГЃrnason (bass) and Pete Robertson (drums). Dig deeper though, and the layers start to unfurl revealing short, sharp indie rock songs built on a solid foundation of rock nвЂ™ rollвЂ™s greatest songwriters, from Alex Chilton to Bob Dylan, Gene Clark to Jonathan Richman. On the face of it, The Vaccines seemed like the ultimate NME band: a bawdy, swaggering Brit rock band with a definite article and a deep devotion to nonchalance. Get Back In Love City by The Vaccines here

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